COLLECTION NAME:
Walter Scott Image Collection
mediaCollectionId
UoEwal~1~1
Walter Scott Image Collection
Collection
true
Work Record ID:
0030674
work_record_id
0030674
Work Record ID
false
Licence:
Shelfmark:
Corson P.568
work_shelfmark
Corson P.568
Shelfmark
false
Title:
Melrose Abbey: From the Quarry
work_title
Melrose Abbey: From the Quarry
Title
false
Alternate Title:
Engraving of Melrose Abbey by R. Brandard after C. Stanfield
work_alternate_title
Engraving of Melrose Abbey by R. Brandard after C. Stanfield
Alternate Title
false
Creator:
Stanfield, Clarkson
work_creator_details
Stanfield, Clarkson
Creator
false
Creator Role:
Artist
work_creator_role
Artist
Creator Role
false
Associate Creator:
Brandard, Robert
secondary_creator
Brandard, Robert
Associate Creator
false
Associate Creator Role:
Engraver
secondary_creator_role
Engraver
Associate Creator Role
false
Date:
1851-1853
work_display_date
1851-1853
Date
false
Description:
Depicts the town of Melrose, Scottish Borders, and the ruins of Melrose Abbey with a quarry in the foreground. Sir Walter Scott coordinated the restoration of Melrose Abbey in 1822. The Abbey features in many of Scott's works, most famously The Lay of the Last Minstrel (1805): 'If thou would'st view fair Melrose aright, | Go visit it by the pale moonlight [...] | Then view St. David's ruin'd pile; | And, home returning, soothly swear, | Was never scene so sad and fair!' (canto II, stanza I, lines 1-2, 16-18). The religious house of Kennaquhair in The Monastery and The Abbot (both 1820) is also based on the Abbey, and it is described in detail in Scott's 'Essay on Border Antiquities' (1814). The original steel engraving was made for the Abbotsford Edition of the Waverley Novels (1842-1847).
work_description
Depicts the town of Melrose, Scottish Borders, and the ruins of Melrose Abbey with a quarry in the foreground. Sir Walter Scott coordinated the restoration of Melrose Abbey in 1822. The Abbey features in many of Scott's works, most famously The Lay of the Last Minstrel (1805): 'If thou would'st view fair Melrose aright, | Go visit it by the pale moonlight [...] | Then view St. David's ruin'd pile; | And, home returning, soothly swear, | Was never scene so sad and fair!' (canto II, stanza I, lines 1-2, 16-18). The religious house of Kennaquhair in The Monastery and The Abbot (both 1820) is also based on the Abbey, and it is described in detail in Scott's 'Essay on Border Antiquities' (1814). The original steel engraving was made for the Abbotsford Edition of the Waverley Novels (1842-1847).
Description
false
Work Type:
Engraving
work_type_notes
Engraving
Work Type
false
Measurement:
15.6 x 9.7cm (6 1/8 x 3 13/16")
work_display_measurement
15.6 x 9.7cm (6 1/8 x 3 13/16")
Measurement
false
Material:
Ink
work_material
Ink
Material
false
Material:
Paper
work_material
Paper
Material
false
Technique:
Engraving
work_technique
Engraving
Technique
false
Location:
TBC/Main Library/Special Collections
work_location
TBC/Main Library/Special Collections
Location
false
Repository:
Corson Collection
work_repository
Corson Collection
Repository
false
Source:
Scott, W. The Monastery. Edinburgh: Adam and Charles Black, [185-?]
work_edition
Scott, W. The Monastery. Edinburgh: Adam and Charles Black, [185-?]
Source
false
Subject Person:
Scott, Walter, Sir
work_subject_person
Scott, Walter, Sir
Subject Person
false
Subject Place:
Melrose Abbey
work_subject_place
Melrose Abbey
Subject Place
false
Subject Category:
Fiction
work_subject_class
Fiction
Subject Category
false
Subject Category:
Poetry
work_subject_class
Poetry
Subject Category
false
Subject Category:
Settings
work_subject_class
Settings
Subject Category
false
Related Work Title:
Monastery, The
work_source
Monastery, The
Related Work Title
false
Related Work Creator:
Scott, Walter, Sir
work_source_creator
Scott, Walter, Sir
Related Work Creator
false
Repro File Type:
Derivative TIFF
repro_file_type
Derivative TIFF
Repro File Type
false
Repro File Size (bytes):
24696376
repro_file_size
24696376
Repro File Size (bytes)
false
Repro Capture Date:
27/04/2012 12:13:00
repro_capture_date
27/04/2012 12:13:00
Repro Capture Date
false
Repro Rights Statement:
© The University of Edinburgh
repro_rights_statement
© The University of Edinburgh
Repro Rights Statement
false